The Lesbian Film Archive
Lesbian films by lesbian and queer woman filmmakers
Filmmaking is not a singular art, so to define these films as “by queer women and lesbians” is already a simplification. For ease, I focused on directors that openly identify as queer or lesbians. Of course, they may be films in the archive that were made by queer women or queer people that are not on this list, because of their involvement in other places in filmmaking or because they are not out in an easily accessible way. I also chose to focus on directors because a common complaint surrounding lesbian films is their catering towards the male gaze, and gaze is most often related to the director. Further, directors tend to be the most important people in terms of the creative vision of the film, so I narrowed this category down to directors.
I think this theme of by lesbian and queer women for lesbian and queer women is important for this archive, not because only queer women and lesbians can make good lesbian films, but that often intent is different. In many interviews I read of the directors describing their films in the archive, many non lesbians qualified their films as “not really about lesbians”. Deepa Mehta, writer and director of Fire stated in an interview that "lesbianism is just another aspect of the film...Fire is not a film about lesbians," but rather about "the choices we make in life." This is just one example that reflects a common sentiment from the directors of lesbian films, where the lesbianism is washed out. On the other hand, are the directors and films that are regarded as exploitative or fetishizing in their depictions of lesbians. The most famous film of this kind is Blue is the Warmest Color, originally based on a comic book by Julie Maroh. In a 2013 blog post after the film’s release, Maroh writes:
It seems clear to me that this is what was missing on the set: lesbians.I don't know the sources of information for the director and the actresses (who, until proven otherwise, are all straight), and I was not consulted beforehand. Maybe there was someone to crudely mimic the possible positions for them with their hands, and/or to watch so-called lesbian porn (unfortunately it is rarely for the attention of lesbians). Because – except for a few passages – that's what it evokes to me: a brutal and surgical, demonstrative and cold display of so-called lesbian sex, which turns to porn, and which made me very uncomfortable. Especially when, in the middle of a movie theater, everyone giggles. Heteros because they don't understand and find the scene ridiculous. Homos and other transidentities because it's not believable and they find the scene just as ridiculous. And among the only ones we don't hear laughing are the would-be guys who are too busy rinsing their eyes at the embodiment of one of their fantasies.
This grand indictment illustrates the problem with some films made, in particular, by male directors. With these sentiments on either end, from relatively harmless to actively harmful, I wanted to create a section focused on films where there were lesbians on set.
As stated above, many of the lesbian directors of these films created these movies intentionally as lesbian films, not as films that happened to have lesbians in it. Lesbianism was at the forefront of the imagination, rather than as an afterthought or implication. Further, many of these films are described as semi-biographical by their filmmakers, illustrating the importance of the personal in these films, as tools for the directors and audiences to see themselves and their stories on screen. That is not to say that these films are without fault or are universally good, but rather that the focus on lesbians by lesbians is often fun and refreshing. Although I have some favorites outside of this list, many of my favorite lesbian films were created by queer women and lesbian filmmakers because of this intentionality and focus on lesbians <3
Lesbian films by lesbian and queer woman filmmakers

E (Mandahla Rose) is a successful DJ, headlining at a top Sydney nightclub. In a marriage of convenience with her gay best friend Matt (Brett Rogers), their lives are turned upside down when they discover a bag of cash. Fleeing Sydeny, E and Matt set out on a roadtrip leading towards to E's ex-girlfriend Trish (Julia Billington) in the outback of Australia. All About E is a road trip comedy that focuses on rebuilding bridges and connection.

A story of falling in love with your best friend, having her date a terrible boy, and then moving on to a new cool crush. This movie is a compelling mix of the reality of homophobia, as well as a moving love story between Claude (Alison Folland) and Lucy (Leisha Hailey), and Claude's complicated and intimate friendship with Ellen (Tara Subkoff). With an incredible riot grrrl soundtrack and perfect 90s fits, All Over Me is a rewarding journey through first loves and hard decisions.

Two college aged best friends grow apart as they explore different paths in their senior year, as Mackenzie (Elise Bauman) comes out and Cassie (Natasha Negovanlis) attempts to break up with her long time boyfriend. Funded by a kickstarter, Almost Adults tracks what it is like to be growing up and discovering new aspects of your identity.

Zoe (Sharon Hinnendael) and Mal (Jill Evyn) are both actresses, who fell into a whirlwind relationship after shooting a lesbian sex scene. After five months together, Mal breaks up with Zoe. However, just weeks after their breakup, a lucrative deal for their movies appears, but with a caveat: they must reshoot their sex scene. Brought back together by what brought them together in the first place, Anatomy of a Love scene tells the messy story of love in a film and in real life.

An Oscar winner for best International Feature Film, Antonia's Line is a love letter to women and community; platonic, romantic, and familial. The film tracks the life of Antonia (Willeke van Ammelrooy) and her daughter, Danielle (Els Dottermans) as they return to to their Dutch hometown after WWII. In a fairy tale style tracking the lives and people in a small community, Antonia and her family grow and continue to pass feminist values between generations.

April(Maria Cina) wants the perfect wedding shower, and asks her maid of honor Alex (Trish Doolan) to plan it for her. What starts out well intentioned quickly goes awry, as Alex reveals her former history with April, and the love that she still has for her. With pizza delivery men, fire fighters, and more crashing the shower, what else could go wrong in April's Shower.

Jo (Laura Heisler) is struggling with the sudden death of her wife and and her desire for a baby. Jo decides to ask her late wife's brother to be her sperm donor. While dealing with fertility clinics, Jo also finds herself entangled in a love triangle between her two best friends. As Good As You is a dark comedy about grief and new beginnings.

A Philippine romantic drama, Baka Bukas tells the story of Alex (Jasmine Curtis-Smith), an out lesbian to everyone except her best friend, Jess (Louise delos Reyes), who she has a secret crush on. When Jess hears a phone call from Alex's ex girlfriend, she is hurt that Alex could have kept this secret from her. As Jess struggles with her identity in wake of learning about Alex, the two navigate where their friendship (and more) should go.

In Bare, Sarah Barton (Dianna Agron) passes her days in her small Nevada hometown by living with her mother and working as a cashier. After she loses her job, she meets Pepper (Paz de la Huerta) an exciting drug dealer and drifter in town. As she gets drawn into Pepper's world of stripping, drugs, and conning, Sarah finds herself intoxicated by Pepper and her lifestyle.

Na’ama (Sivan Noam Shimon) is a bored seventeen year old in her sleepy suburb. Her home life is a mess, with absent parents and a rebellious older sister, however when new girl Dana (Hadas Jade Sakori) appears at her school, her life changes. Dana introduces Na’ama to drugs, sex, and other lesbians. As Na’ama meets more people, she realizes her own feelings toward Dana.

What starts as a cheesy porn plot, a hot plumber coming over to help a breathy housewife with a earring lost in a pipe, evolves into a nail biting thriller. Fresh out of five years in prison for "redistributing wealth" Corky (Gina Gershon) is back in town and intent on staying out of crime, until she is lured into a job with Violet (Jennifer Tilly), one where they could escape with two million from dollars from Violet's violent mob boyfriend (Joe Pantoliano) to start a new life.

A lesbian twist (and more twists to come) on Strangers on a Train, two college students (Agnes Bruckner, Madeline Zima) vow to kill each other's enemies. In Breaking the Girls, the girls in question seduce and betray each other in turn, desparate to come out on top and stay out of jail.

The film that continues to convince girls that Natasha Lyonne is a lesbian. But I'm a Cheerleader centers on Megan (Natasha Lyonne) and her journey at True Directions, a campy converson camp. While there, Megan meets, and falls for, fellow camper and hottie Graham (Clea DuVall). Come for the incredible silliness of Megan's intervention and the stereotypes on display, stay for the sweet love story between Megan and Graham (a classic hand touching scene!!!)

This is one for the lesbian horse girls. Christmas at the Ranch follows Haley Hollis (Laur Allen) as she returns home to Tennessee to try and save her family ranch from closure. While there she meets, and falls for, ranch hand Kate (Amanda Righetti), and the two begin a Christmas romance.

An incredible balance of humor, family issues, and stories about community, Chutney Popcorn follows Reena, a lesbian and henna-tattoo artist, Sarita, Reena's married older sister, and Meenu, their disapproving mother. When Sarita cannot get pregnant, Reena offers to have her child for her instead, which causes all of the women to reevaluate their relationships to themselves and each other.

An Iranian family is coming apart at the seams in Circumstance. Atafeh (Nikohl Boosheri) is a rebellious teenager, who develops feelings for another girl as she also partakes in drinking, drugs, and western music. Meanwhile, her brother Mehran (Reza Sixo Safai) is becoming increasingly religious, and also obsessed with the object of his sister's desire (Sarah Kazemy).

Nicole Conn directs this beautiful, if at times cheesy, erotic 90s film. Claire of the Moon stars Trisha Todd as a famous author struggling with her sexuality at an all-female writers' retreat. The film is generally a mix of intellectuals discussing queer theory, shots of the beach, extremely 90s soundtrack, and women staring into each other's eyes.

After the titular Concussion, Abby Ableman (Robin Weigert) reconsiders her life with her wife Kate (Julie Fain Lawrence) and kids. Trying to find meaning, she creates a new persona, Eleanor, to pursue sex work. As she experiments with a variety of new clients, she begins a more intense infatuation with the similarly married mom Sam (Maggie Siff).

In this campy film, a complicated love triangle between Maya (Madison Lawlor), her internet crush Jasmine (Jasmine Jones), and Jasmine's sugar daddy (Simon Craw) emerges. Daddy Issues is simultaneously weird, high energy, and filled with a queer sensibility about the romantic and the taboo.

An incredibly fun, action comedy with teenage girls as bad ass spies, and a lesbian love story where Amy (Sara Foster), spy extraordinaire, falls in love with the criminal (Jordana Brewster) she is supposed to catch. D.E.B.S is a true delight and a cult classic for a reason.

Everything is not what it seems in Despite the Falling Snow, a cold war spy film. Told over many decades, the film begins in Cold War Moscow, where Katya (Rebecca Ferguson) spies on and then falls in love with Sasha (Sam Reid). Before they are supposed to escape to the US together, Katya disappears. 30 years later, Sasha returns to Russia to learn what happened to Katya.

Elena Undone focuses on the soul-mate relationship between Elena (Necar Zadegan), a pastor's wife, and Peyton (Traci Dinwiddie), an out lesbian writer. Both women are drawn to each other again and again through random encounters, and eventually pursue their relationship, while Elena struggles with her feelings, duties of motherhood, and wanting another child.

In this sweet, silly, and at times touching film, Ellie (Sophie Hawkshaw) comes out to her mom and wants to ask her crush, Abbie (Zoe Terakes) to the school formal. But as the title implies, Ellie & Abbie (& Ellie's Dead Aunt) is not just about Ellie and Abbie. As Ellie works up her courage, her dead aunt Tara (Julia Billington) appears from the beyond to give Ellie advice from her own life as an activist lesbian in the 80s.

Eva (Silvia Varón) + Candela (Alejandra Lara) is told through a non-linear structure that presents, in turn, both happy and sad moments through Eva and Candela's relationships. From awkward family reunions to desiring a child, this film illustrates the myriad of feelings throughout a long term relationship.

A group of college friends, made up of lesbians and their token straight friend, reunite for one the bris of the new baby to Katie (Stacy Nelkin) and Victoria (Monica Bell). After the bris, the group of women take a vacation together which reignites long term arguments and crushes, and attempt to solve these issues and form new, deep bonds. Overtly political and funny, Everything Relative is invested in depicted lesbian friendship at its messiest.

Girltrash: All Night Long follows a group of lesbians attempting to get to a battle of the bands, all while being distracted by crushes, hijinks, ex-girlfriends, and sorority girls. With musical numbers, so many cameos, and the early 2000s feel despite coming out in 2014, this film is a must watch with a group of friends to experience the insanity for yourself.

A lesbian movie about dykes! And dyke drama! Go Fish follows roomates Kia (T. Wendy McMillan) and Max (Guinevere Turner, in her first turn in what will become a long lineage of lesbian acting and writing) navigating their relationships and friendships in Chicago. A crucial film for lesbian film history and a movie that is constantly discussing the archive and lesbian history as it simultaneously writes it. A worthwhile delight, with the low budget and DIY ambiance adding to friendship feel of th

In Good Kisser, foreplay is crucial, as nearly half the film's runtime focuses on the running up to a threesome between long term couple Jenna (Kari Alison Hodge) and Kate (Rachel Paulson) and "stranger" Mia (Julia Eringer). As the night unfolds, more realizations and drama come between the the women.

A coming-of-age, lesbian take on Cyrano de Bergerac has straight-A student Ellie Chu (Leah Lewis) helping a delightful himbo (Daniel Diemer) write letters to the object of both of their affections, Aster (Alexxis Lemire). Sweet, awkward, and subtle, this film is a lovely return for director Alice Wu, and features one of the best coming of age song of all time (Seventeen by Sharon Van Etten).

In Happiest Season, its anything but as Harper (Mackenzie Davis) has invited her girlfriend Abby (Kristen Stewart) home, without telling her family Abby is her girlfriend. As hijinks insue from all sides, will Abby and Harper make it through Christmas unscathed?

Rachel's (Chelsea Morgan) life is all planned out, when she is suddenly dumped by her boyfriend and her most recent manuscript is hated by her agent. Her best friend Nicole (Bryn Woznicki) takes it upon herself to help out, including drinking, drugs and sex. As the lines between friendship and romance blur, both women attempt to figure out what to do in this new gray area of their friendship.

Syd (Radha Mitchell) works at a photography as an editor trying to make it. Through a random leak in her apartment, Syd is brought into her neighbors world of drug abuse and addiction of the once celebrated photographer Lucy Berliner (Ally Sheedy) and her girlfriend Greta (Patricia Clarkson). As Syd and Lucy use each other for pleasure and attempts to get ahead, this film is a artful look at the volatility that can come from addiction, and the heartbreak along with it.

I Can't Think Straight, the second film by Shamim Sarif starring Lisa Ray and Sheetal Sheth, follows the two women as they navigate their Palestinian and Indian backgrounds to break up their relationships and expectations to instead choose each other.

A incredibly sweet story of high schoolers finding themselves and falling love. The Incredibly True Adventures of Two Girls in Love traces the coming of age story of Randy (Laurel Holloman) and Evie (Nicole Parker) as they form an unlikely friendship which blossoms into an even unlikely romance. With a soundtrack that has both Bikini Kill and Mozart, a serious love for Walt Whitman, and a joking engagement with Rubyfruit Jungle, this film is unpretentious in its earnestness.

Recent high school grad Anna (Melonie Diaz) feels like life is moving on without her, until she finds her true purpose as a political acitvist as part of the C(i)A (Clits In Action). Though some of the politics have aged badly, as a whole Itty Bitty Titty Committee still has some great moments, like the C(i)A blowing up a phallic statue on the Washington monument, as well as an incredible riot grrrl soundtrack.

Jamie (Jax Jackson) is moving to New York with big, Broadway dreams, leaving behind roommate and best friend Jessie (Jessica London-Shields). Jessie is in unrequited love with Jamie, and as the two roommates pack up boxes, Jessie attempts to stoke Jamie's jealousy by going on date after date. With musical dance numbers, Jamie and Jessie Are Not Together is a story of friendship, love, and lust.

Joe + Belle is a dark comedy about two women who meet through an absurd murder. As they attempt to dump the body and escape the police, drug dealer Joe (Veronica Kedar) and Belle (Sivan Levy) who was recently released from a mental hospital, work together and fall in love.

Sometimes a heist is about rescuing yourself, actually. The dream-like Kajillionaire is an incredible journey through miniscule heists, parenthood, naivete, and the target returns aisle. Kajillionaire is a true joy of colors, music, and mundane surrealism that marks the odd lives of the characters (Evan Rachel Wood stars, but her name honestly too good to see without context)

One of the first mainstream movies to show a same-sex couple raising teenagers, The Kids Are All Right follows the Allgood family, made up of Nic (Annette Bening), Jules (Julianne Moore), and their kids Laser (Josh Hutcherson) and Joni (Mia Wasikowska). Laser is curious about his biological father, a sperm donor Nic and Jules used for both of their children. When they discover their sperm donor (Mark Ruffalo) and bring him into their family, dynamics shift to accommodate him in their lives.

Kiss Me Before It Blows Up tells two love stories across cultures, one between an Israeli woman and her German partner, and one between an older Israeli woman and her Palestinian lover. This film is sentimental and saccharine rather than political in order to preserve the rom-com aspect, but it presents the questions of cultural conflict for different generations.

Leading Ladies tells the story of a dinner party between five friends. What at first seems simple gains complexity as the dinner party is told from five different perspectives as each moment is relived, and the gap between reality, intention, and reaction is shown. As the women unpack longtime secrets and lies, Leading Ladies shows the drama left in its wake.

In this corny coming out film, Lauren (Jenna Laurenzo) attempts to come out to her family by bringing her girlfriend (Caitlin Mehner) home for Thanksgiving. When her male roommate (Brandon Micheal Hall) also shows up, she convinces him to play along with her farce until she feels confident coming out to her family.

Lost and Delirious showcases the friendship of three teenagers in a posh, private boarding school. Told from the perspective of Mary (Mischa Barton), she observes her friends Pauline (Piper Perabo) and Victoria (Jessica Paré) secret relationship progress. Dealing with both the light and dark side of friendship and love, the film is an exploration of coming of age when the world is against you.

Loving Annabelle takes classic lesbian tropes to the extreme, with an illict romance between student and teacher at a Catholic boarding school. Annabelle (Erin Kelly) has been kicked out of two schools for bad behavior, before ending up at a strict Catholic school. She shocks her teacher (Diane Gaidry) and classmates with her behavior, but despite (or because) of her teacher is drawn to her, and they begin their questionable affair.

Ma Belle, My Beauty is a gorgeously shot film that takes place in the south of France, where current partners and exes reunite. The film follows current partners Fred (Lucien Guignard) and Bertie (Idella Johnson), and their ex Lane (Hannah Pepper) who Fred has invited because he thinks it would be good for Bertie. The film explores the depth of these characters relationships with one another in a beautiful setting, and is focused more on the vibes of a romantic setting than the narrative.

An Italian comedy and drama stars as Linda Caridi and Maria Roveran as a lesbian couple who want to become mothers, but struggle with laws and finanical burdens surrounding fertility clinics. Sweet and sincere, Mom + Mom depicts loving women who want to be mothers, and the difficulties of that journey.

New lovers Lou (Michelle Wolff) and Sassafras (Daniele Ferraro) move to San Francisco where they learn abut the city's BDSM scene. This film is messy in some places, with a lot of age play exploration, but has a lot of compelling background characters and actual exploration of non monogamy as well as different subcultures.

In 1993, Cameron Post (Chloë Grace Moretz) is caught having sex with her secret girlfriend. When her devout Christian aunt finds out, she sends Cameron to God's Promise, a gay conversion camp. While there, Cameron befriends two other teens, Jane (Sasha Lane) and Adam (Forrest Goodluck), as the three bond over their skepticism of the program.

FBI Agent McKenzie De Ridder (Zoe Ventoura) finds herself suspended after erratic behavior following her mother's death. When she returns to a small town she used to visit, she begins a friendship with a boy with a terminal illness. As she befriends Freddie (Cale Ferrin), she also befriends his mother (Kayla Radomski), eventually leading to a relationship between the two women.

In My Days of Mercy, two people on opposite sides of political issues fall in love. Lucy (Elliot Page) is protesting the death penalty when they meet Mercy (Kate Mara), who is there with her family that supports the death penalty. Despite these political difference, Lucy and Mercy begin a relationship, and reevaluate their own opinions.